Andrew Wyeth


The Coot Hunter | 1941


Winter | 1946


Wind from the sea | 1947


Christina ‘s World | 1948


November First | 1950


The Blue Door | 1952


The Mill | 1959


Weatherside | 1965


Letting Her Hair Down | 1972


House on the Cove | 1979


Day Dream | 1980


Sun Shield | 1982


Autumn | 1984


Roof at Archie's | 1986


Alvaro and Christina | undated
posted by camponesa pragmática at 20:16

 
Hopper



Folly Beach | 1929 | watercolor | 35.2 x 50.2 cm



House on Pamet River | 1934 | watercolor | 55.4 x 68.1 cm



Mouth of Pamet River—Full Tide | 1937 | watercolor | 50.8 x 71.8 cm



Cape Cod Morning | 1950 | oil | 86.7 x 102.3 cm



People in the Sun | 1960 | oil | 102.6 x 153.4 cm
posted by camponesa pragmática at 18:49

 
Martin Parr Self-Portraits








posted by camponesa pragmática at 17:11

 
Hiroshi Sugimoto


Time Exposed, plate 312


Time Exposed, plate 322


Time Exposed, plate 324


Time Exposed, plate 337


Time Exposed, plate 343


Time Exposed, plate 347


Time Exposed, plate 365


Time Exposed, plate 366


Time Exposed, plate 367

The first portfolio of seascapes I published was entitled “Time Exposed” because time is revealed in the sea. When I began thinking about these seascapes I was thinking, what would be the most unchanged scene on the surface of the earth? Ever since the first men and cultures appeared, they have been facing seas and scenes of nature. The seascape, I thought, must be the least changed scene, the oldest vision that we can share with ancient peoples. So that's a very heavy time concept. The more seascapes I do, the more I appreciate them.

© evogallery

posted by cristina at 17:26

 
Dodo Jin Ming


Free Elements XII


Free Elements XI


Free Elements VIII


Free Elements IV

© evogallery

posted by cristina at 16:53